Liquid Stranger Celebrates His WAKAAN Family At Mission Ballroom

One of the giants in the EDM world, Liquid Stranger brought a plethora of his friends to Denver this past weekend. Martin Staaf is better known by his stage name Liquid Stranger. He launched himself as an experimental EDM artist in the early 2000s.

Following this, he created his own record label Wakaan. Since then, Liquid Stranger has made a name for himself throughout the EDM world with his visual production level and his expert mixing skills.

Recently, Liquid Stranger has signed many prominent artists to his label. Some of his most notable artists include LSDream, Tvboo, and LUZCID. Overall, Stranger and the Wakaan label as a whole boast themselves as a collective. For the first night stop at Mission Ballroom, and even the second night, there was a myriad of artists to choose from.

Liquid Stranger

The Openers

To begin the evening, Kyrol and Banko and Notixx, both played deeper and more down-tempo sets. This slower start to the evening allowed for Mission Ballroom to begin to fill up. Both of the opener’s visuals were minimal. As the night went on, it was clear that Mission Ballroom was almost completely wall-to-wall with people anticipating the king of Wakaan himself later in the evening.

However, the energy in the venue quickly changed as the Mississippi native, Tvboo took the stage. He is known for his goofy persona and wooky beats. Tvboo emerged on the stage wearing nothing but overalls and taking the audience on a wild ride. Playing many of his hit songs, including “Wook Work,” “Skrawberries.” He also brought out a rapper to engage with the crowd. He definitely had the entire venue on their feet. Further, at the end of his set, he took his overalls off in his typical goofy fashion and danced around the stage in his underwear.

Tvboo

Certainly, it was an interesting choice to put Tvboo in between the first two openers and the next two. The dynamic deep bass artists YookiE walked on stage boasting visuals that declared “Yookie Sucks.” They kept that same high energy of their predecessor by playing their standout tune of the year “Bubble Bass.” As the night progressed, the next artist to warm the stage up for Liquid Stranger, was Buku. For his set, he focused more on the psychedelic and trippy side with many visuals that seemed to go on forever. Overall, all of the openers set the stage for what was to come.

Yookie
Buku

Finally, as many people noted in the crowd, the lasers not only lit up behind and the sides of the stages but also, next to the DJ stand. As Liquid Stranger took the stage, he explained the lights on stage were a new LED technique, and boy was this technology one that completely changed the mood in the crowd. Not a single person was sitting as the man of the night started off heavy and then moved into some of his throwbacks. Most notably, he played “Don’t Stop,” and his own drop from “Space Boss.” Throughout his set, he spent a lot of time on the microphone shouting out anytime he played a song from someone on the WAKAAN collective. Then, the night ended with him appreciating not only his collective but the crowd as a whole.

Liquid Stranger

Conclusion

Overall, the first night of Liquid Stranger proved to be a great mixture of both deep dubstep and more of the wook bass that the WAKAAN label is known for. Most importantly, the first night set the stage for not only what was to come on night two, but for the rest of the recently announced tour for 2022.

Photos by Kyle Brim

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San Holo Brings Melody To Mission Ballroom

One of the stars in the melodic dubstep world, San Holo, headlined Mission Ballroom this past weekend. Sander van Dijck, better known by his stage name San Holo, first gained recognition for his remix of Dr. Dre’s “The Next Episode.” Which went viral quickly and had him releasing music on the likes Skrillex’s OSWLA record label. Soon after, San Holo quickly ran with his fame and created his own record label Bitbird. Further, his last album, Album 1, held a myriad of staple tracks in the melodic dubstep world. Album 1 reached #7 upon its debut on Billboard 100’s Electronic/Dance chart.

Recently just a few months ago in June, San Holo released his new album bb u okay? Now, he has brought his new album on tour throughout the United States. Those within the melodic dubstep have been patiently awaiting a new album and tour. Certainly, San Holo did not disappoint.

Rome in Silver

The Openers

Brought along on the tour, Rome in Silver and Chet Porter began with a slower start. Rome in Silver in particular started the night off with a lot of low-fi sounds mixed with some hipster buildups. It was the perfect intro into Chet Porter’s set who has many notable remixes of other famous EDM artists including Odesza and Whethan. One of the most notable moments from his set came when he played his collab with Alison Wonderland Bummed.” These two chill sets were a perfect introduction for what the night would move into.

However, the standout set of the openers was Swedish native Kasbo. He began his set by running out onto the stage with a burst of colors to play the drums in tune with his music. The shift from the chill hipster vibes, to a more energetic crowd, was apparent as he drummed along to his music in time with the impressive visuals. Many of his visuals had nature and water themes which played along well with melodic drop after melodic drop. At one point, I went almost all the way up to the rail, and I normally like to stay further back in the crowd, and boy am I glad that I did. Kasbo heavily interacted with the crowd in the front. His visuals were perfect up close and his set along with his visuals left the crowd mesmerized and ready for the headliner.

Kasbo
San Holo

Finally, the much-awaited return of San Holo to Denver began. He rushed out onto the stage playing his guitar in tune with his songs. The background visuals were simply bb u okay? in accordance with the promotion of his new album. In addition, he also played many of his crowd-pleasing songs like “Light,” and some of his most popular tracks off Album 1. For anyone new to his music, this set was the perfect mixture of some of his more heavy older tracks and his new album. Most importantly, his stage persona with the crowd stayed on point throughout and he did not miss one guitar solo.

San Holo

Conclusion

Overall, Mission Ballroom proved to be the perfect mixture of an intimate inside venue but with the visual capacity for San Holo’s strong mixture of music and visual experience. The audience definitely loved every minute and there were even some tears shed from those around me. Hopefully, we don’t have to wait long for San Holo to return to Denver.

Photos by Kyle Brim

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RL Grime Community Outreach Tour Comes To Denver

This past weekend RL Grime stopped in Denver at Mission Ballroom for his Community Outreach Tour. He brought out artists from his label, Sable Valley, which included artists Jawns, Knock2, and Pauline Herr. If you have yet to attend a show at Mission Ballroom now is the time! From their in-house sound system, LED screen, and lighting display this venue is truly amazing.

Starting off the night was Pauline Herr. She started the vibes for the rest of the night. Next up was Knock2 who definitely brought the heat with upbeat sounds getting the crowd ready to dance the night away. Following the dance beats was Jawns. With good beats and throbbing bass lines throughout the evening, the energy from the crowd never seemed to decline.

Article & Photos By: Ethan Klement

RL Grime closed out the evening with an hour and a half long set. He played some of his hit tracks like “UCLA ft. 24 Hrs”, I wanna know, ft Daya”, and his popular remix of “In your head” by G Jones.

The Community Outreach Tour has three more stops left after this Denver stop. Catch the Community Outreach Tour in a city near you!

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Dirt Monkey Brings The Wobbles to Mission Ballroom

Boulder local Dirt Monkey, is no stranger to playing large shows for his dedicated followers. As a native to the Colorado EDM Scene, Patrick Megeath has exploded not only in the Denver community but across the country. Megeath has seen huge expansion in the EDM community since 2018 with releases on Liquid Stranger’s label Wakkan. He fuses wonky wobbles with high-energy beats in order to create sets that keep crowds entertained and on their feet for the entire show.

Ravenscoon

The Openers

Starting out the night Shank Aaron and Kumarion, set the mood for the night with some drum and bass and heavier sets. Further, Ravenscoon came out with an electrifying and wonky set with visuals that mesmerized the crowd. However, the energy completely changed when G-Space took over the stage. He started out dark and quickly moved into wobbles to match the vibes of his visuals. Each drop was deeper and filthier and sucked the audience into his set.

G-Space

But, the stand out set of the openers was by far G-Rex. The Detroit native is one who fuses a mixture of trap beats with dark wobbles. With a myriad of releases on Wakkan, he is no stranger to taking audiences deep and wobbly. The visuals mixed with his signature dark horse sound to distinguish his songs kept the audience screaming after each filthy drop.

Finally, the man of the evening Dirt Monkey, came out with colorful visuals and wobbles to keep the energy of the crowd high. No drop was similar and his mixing was flawless and effortless, it was hard to tell when one song ended and another one began. From his more popular songs like “Shut Up” with rap giant Tech N9ne to his more obscure remix of his and Protohype’s “Bop Bop,” each drop kept the audience dancing. Also, he played a lot of unreleased songs and gave previews of many new music that will soon be being dropped. Almost everyone in the crowd stayed until the end and through his encore because of the high-energy and vibes of the sets.

Conclusion

Overall, this set at Mission Ballroom was one that those in the Denver EDM community will not likely forget. The energy and vibes of the night where unmatched and each artist brought their own unique flavor to the evening. The mixture of each individual artists sets with the energy of the crowd was one that will remain a personal favorite at shows I’ve seen at Mission, and by far my favorite Dirt Monkey set to date.

Photos by (Photographer Name Linked)

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The Floozies Take Over Mission Ballroom

Every weekend in Denver brings a fresh lineup of talented, nationally ranked musicians and artists from all over the country. Certainly, surprising the wide range of music lovers who live here. This past weekend on February 8th at RiNo’s Mission Ballroom, Denver favorites The Floozies took the stage paired alongside SoDown, Anomalie, and Since JulEYE for the official Dayglow Funk Tour.

The night was a much needed refreshing burst of funky energy. Which sometimes slips by unnoticed in the bass-heavy Denver music scene. But, the night was not short of booming bass notes and deep, funky 808’s which shook the room and had the entire crowd grooving all night. Brothers Matt and Mark Hill’s cutting edge style combining funk paired with heavier electronic synths and other elements make The Floozies an amazing show every time. Definitely, one that always leaves Denver fans in awe.

The Openers

The night started with a talented group of individuals. From local artists like SoDown from Boulder, and up-and-coming artist Since JulEYE from Denver. To, Anomalie from Montreal, Canada. Each artist brought a unique, fresh sound of both funk-based and other electronic genres. Which, kept the night unexpected, fun, and constantly moving. The beginning of the night’s music consisted of different guitar riffs, sounds of many different instruments both synthesized and acoustic or electronic, paired with hard-hitting bass lines and drums.

Finally, the time is here, and The Floozies take the stage. The funk party was on. The Floozies are known and loved by the devoted group of funk-loving fans in Denver which runs strong. They gave an effortless performance from start to finish and did not stop for a moment. They brought song after song which melted into one another, giving off constant and unforgettable energy. Some of the more popular tracks they performed had the whole crowd on their feet and moving. Even the fans who were not familiar with every single word were dancing the night away.

The night was filled with constant movement, an insane display of lights and lasers which lit up the entire room. Also, those deep and dirty funk tunes which kept listeners and music lovers begging for more. Overall, the night was another unforgettable performance by The Floozies. We can’t wait to see another show with the two brothers. They clearly deserve being nicknamed the Kings of modern-day Electro-Funk.

Photos by (Matthew Salamander) 

Party Guru Press had the opportunity to speak with one-half of The Floozies. Check out the interview HERE

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Flux Pavilion and Circus Records Buddies Bring the Bass to Denver

Recently, Denver celebrated the 10 year anniversary of Flux Pavilion’s and Doctor P’s label Circus Records. With it came a myriad of diverse bass producers to Denver’s newest venue Mission Ballroom. Also, it’s no secret that Flux Pavilion is one of the most recognized and respected names in the EDM scene. This year he has been celebrating his success with Circus by embarking on a 19 show tour. This tour hit Denver on 9/1 to begin the fall show season with a reverberating dubstep bang.

The Bass Music Starts

To begin the night, Chime, the young producer from the UK first took the stage. He mixed melodic bass with heavy dubstep drops to warm up the crowd at Mission Ballroom. Mission holds the perfect setup for both the seasoned show veteran and the energetic newbie, with leveled seating similar to Red Rocks and plenty of room on the floor to dance without care. Following Chime came Conrank b2b DMVU. As soon as the first heavy drop hit, the duo forced the crowd on their feet and hit with one filthy bass drop after the other. Conrank did not hold back in his over the top production style and continuous hype-up of the crowd. Meanwhile, Denver’s hometown hero DMVU mostly stayed at the decks to hit with his buildups. This unique b2b proved a necessary intro for what was ahead in the night.

Funtcase

As Cookie Monsta took over the stage, the visuals changed. From the psychedelic, in-time with the drop visuals of Conrank b2b DMVU, they warped into clown faces and dystopian vibes. Cookie Monsta’s visuals went in perfect cohesion with his deeper drops and trap beat undertones. Earlier this year, he had posted on all his social media facets that he would be cancelling all future tour dates, including the 10 year circus tour. Due to these circumstances, it’s even more special that Cookie Monsta participated by bringing such a heavy set to the bass capital. Later, as long time producer Funtcase followed, the UK legend stuck to more traditional dubstep drops with focus on riddim. He steered clear of his drum and bass roots and stuck to dubstep, making a perfect platform for Flux to close out the night.

Flux Pavilion Closes out the Party

Flux Pavilion at Mission Ballroom
Flux Pavillion

Following Funtcase and making a stark entrance from his predecessors, Flux Pavilion began his set by playing a whimsical intro on his guitar. This led into a high-energy melodic bass drop to warm the crowd up. Flux then proceeded to showcase his talents by mixing between traditional dubstep and hardcore UK trap drops. This, combined with melodic bass ensured the audience stayed out of their seats the entire time. During his set, he started a throwback block by playing the original “Bass Cannon”. Flux Pavilion kept with this same energy by mixing into “International Anthem” and “I Can’t Stop,” both being pivotal songs that pioneered the EDM sound. He ended the set by switching gears into upbeat future bass, creating the perfect environment for his closing which consisted of intense dubstep and trap fusions.

Flux Pavillion

Overall, the Denver stop of the 10 years of Circus Records tour brought a night of non-stop bass. Mission Ballroom proved the perfect backdrop, with top visual and audio quality to ensure the audience was slapped in the face with every single drop. Denver’s EDM scene will not quickly recover from all the headbanging, but will be left desperately anticipating Flux Pavilion and his buddies next return to the bass capital.

Photos by Julien Deroeux

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Flux Pavilion: Facebook, SoundCloud

Funtcase: Facebook, SoundCloud

Cookie Monsta: Facebook,