Event Type 2 Colorado

june

2023thu01jun6:00 pmthu11:00 pm311

2023fri02jun9:00 pmValentino Khan

2023fri02jun9:00 pmNora Van Elken at Jaguar Room

2023sat03jun9:00 pmJimkata

2023sat03jun9:00 pmStonie Blue

2023sat03jun10:00 pmJ|Adore at Temple Denver

2023tue06jun7:30 pmQuinn XCII

2023wed07jun9:00 pmFrequency Sound Series - Beats on the Block

2023thu08jun9:22 am303 Family Takeover in LVL

2023fri09jun1:00 amCharles D at Temple Denver

2023fri09jun9:00 pmRagency Takeover ft bawldy + more - Your Mom;s House- Friday June 9th- Denver

2023sat10jun9:00 pmHenry Fong

2023wed14jun8:00 pmGHOSTLAND OBSERVATORY

2023wed14jun9:00 pmFrequency Sound Series - Reggaeton vs House Vol.1 ft 2Slikk & Special Guests

2023thu15jun(jun 15)1:00 pmsun18(jun 18)11:59 pmSonic Bloom - Hummingbird Ranch- June 15th- June 18th

2023thu15jun5:00 pmUmphrey's McGee at Dillon Amphitheater

2023fri16jun5:30 pmUmphrey's McGee at Red Rocks

2023fri16jun10:00 pmDanny Avila at Temple Denver

Event Details

Danny Avila at Temple Denver

To have achieved what Danny Avila has at the age of 26 is phenomenal enough. With a feisty production sound and an unique DJ style, he is a breath of fresh air in a world where many artists are happy to stick to the same formula. In Danny’s eyes, DJing is a form of art, hence the variety of genres from techno to big-room and from tech-house to trap, always finding a way to take people on a journey. In 2017, he made the highest re-entry to the DJ Mag Top100 DJs 2017 poll at # 52, while in 2021 reaching # 34, still being the highest ranked Spanish DJ ever. His music has been released on major labels including SONY, Interscope, Musical Freedom, Spinnin’ Records, Ultra Music, Hexagon and Heartfeldt Records. Or on Armada Music, like ‘Mother & Father’ (feat. Bukhu) – his first single from his new, dark and edgy sound style project „Mainstage Techno“, an insanely energetic mix of state-of-the-art elements of techno music paired with full-on, cutting-edge progressive features. On top of a history of hundreds of million streams and weekly radio shows, he also counts three compilations to his name: ‘Ministry of Sound presents: Danny Avila Live’, Space Ibiza’s ‘Ibiza Calling’ and DJ Mag UK Danny Avila’s Big Room Mix. Danny was the youngest artist to ever make the cover mount CD for DJ Mag UK. To top of his extremely long list of musical achievements, Danny Avila has collaborated with world-renowned fashion brands New Yorker, and tigha, who approached him due to his extravagant style.

For VIP Tables / Bottle Service, contact: VIP@TempleDenver.com or call (720) 900-1441

GET TICKETS HERE

Time

(Friday) 10:00 pm

Location

Temple Denver

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2023sun18jun6:30 pmDon Toliver - Thee Love Sick Tour 2023

2023thu22jun7:30 pmThe Flaming Lips, Eric Andre, Reggie Watts

Event Details

Good Trip Studios and Love Yer Brain Presents
HAVE A GOOD TRIP: a benefit concert for MAPS

THE FLAMING LIPS, ERIC ANDRE, REGGIE WATTS
DJ Chris Holmes

THU, 22 JUN 2023 at 07:30PM MDT
Ages: 16 & Over
Doors Open: 06:30PM

OnSale: Fri, 19 May 2023 at 10:00AM MDT
Announcement: Fri, 12 May 2023 at 10:00AM MDT

Comedian/actor Eric Andre is the creator/host of THE ERIC ANDRE SHOW, which just got picked up for a third season by Adult Swim. Eric was also most recently on ABC’s DON’T TRUST THE B IN APT 23 and in the movie THE INTERNSHIP with Vince Vaughn and Owen Wilson. As a comedian, he has performed at clubs, colleges and festivals all around the country.

AEG and the producers of Have A Good Trip are excited to announce a night of music and comedy, featuring The Flaming Lips, Eric Andre, Reggie Watts and DJ Chris Holmes at the Mission Ballroom in Denver on June 22, 2023! The event will be a benefit concert to raise money for M.A.P.S. (Multidisciplinary Association for Psychedelic Studies) as part of their Psychedelic Science Conference to support and fund psychedelic research. Presented by Good Trip Studios, the psychedelic media company with a mission to destigmatize psychedelics through entertainment and pop culture, founded by Emmy Award-winning writer, producer and director Donick Cary (Late Night with David Letterman, The Simpsons), and producer Mike Rosenstein (The Eric Andre Show, Zoolander 2). Their hit film Have A Good Trip: Adventures in Psychedelics launched in 2020 as the #1 Netflix movie worldwide with tens of millions of views in the first month. The documentary features A-list celebrities and artists discussing their personal psychedelic experiences, helping launch the current psychedelic renaissance. Good Trip Studios has a slate of films, TV shows and live entertainment projects underway, and are currently in production for their sequel documentary to Have A Good Trip.

GET TICKETS HERE

Time

(Thursday) 7:30 pm

Location

Mission Ballroom

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2023fri23jun9:00 pmVINAI - Jaguar Room

2023sat24jun7:00 pmEQUANIMOUS + KR3TURE - Fox Theatre- 06-24-2023

2023sat24jun8:00 pmEmancipator

2023sat24jun9:00 pmGolf Clap

2023thu29jun9:00 pmLIU - JAGUAR ROOM

2023fri30jun8:00 pmKrushendo + Top Brahman w/ Prismatic, Rage-Bot, Slasha, King Kobra

Event Details

Elevated Production Company, Boogie Groove Entertainment, Tchaikovsky – Bad Wolf ENT, & Party Guru Productions Present

Krushendo + Top Brahman w/ Prismatic, Rage-Bot, Slasha, King Kobra

GENRE
DUBSTEP

SUMMARY
Elevated Production Company, Boogie Groove Entertainment, Tchaikovsky – Bad Wolf Entertainment present a booking agency take over of Your Moms House with Krushendo + Top Brahman w/ Prismatic, Rage-bot, Slasha, and King Kobra to Denver, CO on Friday, June 30th.

TIME
8:00pm-2:00am
Doors: 7:30pm

AGE LIMIT
21+

TICKETS
events.yourmomshousedenver.com

ARTISTS
Krushendo
Facebook: https://www.facebook.com/krushendofc/
Instagram: https://www.instagram.com/krushendoofficial/
Soundcloud: https://soundcloud.com/krushendo-music
Spotify: https://bit.ly/krushify
Krushendo is a multi-instrumental melodic bass and dubstep producer/dj from Santa Monica, CA, he has made Denver, Colorado his home. He is most well known for performances supporting ILLENIUM at X-Games in 2022 and winning The Untz Producer challenge in 2019 which got him in the door with Electric Forest, Imagine, The Untz, Summer Camp, and Arise Music Festival. Krushendo’s sets are crafted beautifully, blurring lines of melodic bass and heavier genres like tear-out dubstep.

Top Brahman
Facebook: https://www.facebook.com/TopBrahmanMusic/
Instagram: https://www.instagram.com/top_brahman/
Soundcloud:https://soundcloud.com/topbrahman
Spotify: https://bit.ly/3VaQN9k
Top Brahman is an upcoming future bass and melodic dubstep act born and raised in Denver, Colorado. In just the past couple of years, he’s had releases on Proximity, Subsidia, Rude Service, Nerd Nation, and Simplify and has gained support from big names such as Excision, Bear Grillz, Alison Wonderland, and Pegboard Nerds.

Prismatic
Facebook: https://www.facebook.com/PrismaticTunes
Instagram: https://www.instagram.com/prismatictunes/
Soundcloud: https://soundcloud.com/prismatictunes
Spotify: https://bit.ly/3LxcQUk
Stepping into the electronic music scene in 2013 with his debut EP “Ab Initio”, Prismatic has since been making waves with his hair-raising sound design and pristine productions. Prismatic’s prolific and diverse style knows no bounds, taking listeners on a journey through the spectrum of bass music as beautiful pads and melodies pave the way for truly unforgettable drops. With recent releases on Disciple Round Table, Wakaan, and Subsidia Records, Prismatic’s eclectic sound has been making turning heads on a variety of high-profile dubstep imprints and shows no signs of slowing down.

Rage-Bot
Facebook: https://www.facebook.com/RageBotOfficial
Instagram: https://www.instagram.com/ragebotdubstep/
Soundcloud: https://soundcloud.com/ragebot
Spotify: https://bit.ly/41YUMb3
Jalen Gasner aka Rage-Bot is a 25-year-old DJ/PRODUCER from Denver, CO. He is slowly building a following & getting support from artists like Excision, Vampa, Panda Eyes & more.

Slasha
Facebook: https://www.facebook.com/Slashamusic2
Instagram: https://www.instagram.com/_slashamusic/
Soundcloud: https://soundcloud.com/slashamusic

King Kobra
Facebook: https://www.facebook.com/theofficialkingkobra
Instagram: https://www.instagram.com/kingkobramusic
Soundcloud: https://soundcloud.com/kingkobramusic
Spotify: https://bit.ly/3Hhwamh
I love to play venomous, bass music. I also create my own music and sounds. Thank you for this opportunity! Hope to see you all there!

NEWSLETTER
https://bit.ly/YMHNewsletter

GET INVOLVED
https://yourmomshousedenver.com/forms/

MONTHLY ARTIST PLAYLIST
https://spoti.fi/3wN7mOD

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Time

(Friday) 8:00 pm

Location

Your Mom's House

Calendar GoogleCal

july

2023tue04jul2:00 pmZeds Dead at Red Rocks Civic Center Park

2023fri14jul10:00 pmBlack V Neck at Temple Denver

2023sat15jul7:30 pmThe Colorado Sound Presents: THIEVERY CORPORATION with special guest BoomBox

Event Details

Twenty-five years into their genre-defying electronic music career, Thievery Corporation’s founding principles of D.I.Y. and inclusion have become key themes in mainstream social conversation. After a dozen highly acclaimed full-length albums, remix LPs, concert recordings, and over two decades of incendiary live performances that have thrilled audiences worldwide, Thievery Corporation’s music and message is more relevant and important now than ever.

That lack of filter enabled Garza and Hilton to mine their musical inspirations and create one of the most unique bodies of work in electronic music, respectfully incorporating tastes of international cultural styles, without ever falling into the trap of cultural appropriation. “We always wondered: with so much incredible music in the world, why would anyone limit themselves to one genre? Well, we found out – it’s far easier to stay in one lane than to genre hop!” laughs Hilton. Garza elaborates: “When we started, we were influenced by music from all over the world, flipping through bins in second hand record stores for LP’s from Brazil, India, Iran, Jamaica, jazz records…..we wanted to make music where you didn’t know whether it was recorded today or a decade ago.” Thievery Corporation’s music has always looked toward the future while paying homage to the past, starting with their groundbreaking debut LP, 1996’s “Sounds From The Thievery Hi-Fi,” which both introduced the world to Garza and Hilton as producers and set their course as pioneers of song-based electronic music with wildly diverse vocalists.

The band’s legendary D.C. headquarters, the Eighteenth Street Lounge, became an epicenter for a diverse group of people and staff from all over the world, which in turn had a profound influence on their musical output. “D.C. was very cosmopolitan, lots of places to see international live music and jazz,” says Garza. “We’d run into people from all over the world and invite them to play with us – so Thievery became an extension of that, both on our records and in our live performances.” Indeed, Hilton and Garza’s “Outernational” approach created a world reflected by the artist’s ideals of diversity and acceptance. “25 years after we started, it seems like the world is catching up,” Garza opines. “Social consciousness is more mainstream, awareness of the importance of inclusivity…it’s so encouraging to see so many people working towards these goals in America.” Hilton agrees. “Thievery is a reflection of who we are, it evolved from our musical tastes. Artists who were for the people, like The Clash, Fela Kuti, Manu Chao were so important to us, and engaging in social ideas has always been a part of what we’ve tried to do.” People don’t refer to Thievery Corporation as “World Music,” but it’s safe to say that their music and ethos is global in its scope and ahead of its time at every turn.

In a live setting, Thievery Corporation avoids any electronic dance music tropes. Yes, you’ll dance, sweat and put your hands in the air….but their concerts are true performances, with a killer band of players and an array of vocalists from diverse global cultures. No two shows feel the same. “Our shows are VERY live, lots of energy, the com-bination of multiple instruments and singers that take you on a musical journey,” says Garza. “We have a sitar player, songs are in different languages – it’s a multicultural experience, people connect to the band and to each other, it’s beautiful.” With a world cautiously beginning to emerge from isolation and towards communal events, Garza is eager to return Thievery Corporation to live performance. “I feel like people have been waiting to celebrate together after being forced apart for too long. We’re all craving that.”

Eric Hilton’s presence at Thievery gigs, however, has become an increasingly rare event. “I never really embraced touring; some of the world tours were interesting, seeing new places and cultures,” he says. “For me, touring was tourism. The creative process of making music is more my thing.” And Thievery Corporation have brought the sounds of the world to listeners throughout each of their albums. “There are so many highlights for me. 2014’s Saudade is my favorite record that we’ve done, a real creative stretch for us. Quiet music is hard to make! Symphonik also. To hear our music done with an orchestra was incredible.” Hilton concedes that over time live performance influenced the studio records. “After Cosmic Game (2011), we orchestrated jam sessions and built the records from those. For Temple of I and I (2014), we went to Jamaica to jam and record, which gave that record a different feel and authenticity.”

Looking back over their career, Rob Garza and Eric Hilton acknowledge that what drives each of them may be different, but the mashup of personalities, sounds, cultures and experiences birthed something wholly unique. “We love all kinds of music, which is why Thievery Corporation sounds the way it does,” the founding partners agree. “We couldn’t possibly incorporate all our tastes into the music, but we do it more than most.” By not following trends or the whims of major labels, and embracing the cultural diversities that make the world such a wondrous place, Thievery Corporation has created a legacy that runs deep and continues to expand.

“Over 25 years, we’ve left nothing undone. We far exceeded what we thought we would do,” Hilton and Garza agree. And Thievery Corporation’s music will continue on to reverberate and influence the next generation of listeners with an ear toward a global musical experience.

GET TICKETS HERE

Time

(Saturday) 7:30 pm

Location

Gerald R. Ford Ampitheatre

Calendar GoogleCal

2023fri21jul(jul 21)3:00 pmsat22(jul 22)11:00 pmGlobal Dance Festival 2023

2023sun23jul7:00 pm50 Cent: The Final Lap Tour

2023thu27jul9:00 pmBart Skils in LVL

Event Details

Always one step ahead of the game, Bart Skils has established himself as one of Holland’s most respected and highly demanded techno dj’s. His dj sets are celebrated by techno lovers as extremely forward thinking and musically well constructed.

Being part of Adam Beyer’s leading techno imprint Drumcode Records with likeminded artists such as Alan Fitzpatrick, Joseph Capriati, Nicole Moudaber, Enrico Sangiuliano and Sam Paganini they represent the future of the forward thinking techno generation with eye and passion for the dancefloor.

His constant flow of top quality releases are internationally rated as some of the most cutting edge techno tracks focussing on pure dancefloor grooves and atmosphere. His massive productions gave him opportunities to remix artists like Moby, Joris Voorn, Nicole Moudaber, Kaiserdisco, Johannes Heil and Kollektiv Turmstrasse.

With his continuous worldwide schedule and constant flow of releases Skils’ dj star has been rising steadily and is shining bright. Persistently rocking venues and festival sites, he has further underlined his position as one of Amsterdam’s most reliable and authorative dj’s. Bart’s long lasting experience as a dj and his ability to move effortlessly from deep hypnotizing grooves to rolling peaktime techno make Skils a sure-fire crowdmover at any given party.

For VIP Tables / Bottle Service, contact: VIP@TempleDenver.com or call (720) 900-1441Always one step ahead of the game, Bart Skils has established himself as one of Holland’s most respected and highly demanded techno dj’s. His dj sets are celebrated by techno lovers as extremely forward thinking and musically well constructed.

With his continuous worldwide schedule and constant flow of releases Skils’ dj star has been rising steadily and is shining bright. Persistently rocking venues and festival sites, he has further underlined his position as one of Amsterdam’s most reliable and authorative dj’s. Bart’s long lasting experience as a dj and his ability to move effortlessly from deep hypnotizing grooves to rolling peak time techno make Skils a sure-fire crowd mover at any given party.

GET TICKETS HERE

Time

(Thursday) 9:00 pm

Location

Temple Denver

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2023sat29jul12:00 amAll Day I Dream - Sculpture Park- July 29th- Denver,CO

august

2023thu10aug8:00 pmSatsang

Event Details

GET TICKETS HERE

Party Guru Productions Presents
Satsang

Aggie Theatre
204 S College Ave
Fort Collins, CO 80524

THU AUG 10, 2023 – 8:00 PM
Ages: Guests Under 18 Require Accompanying Adult
Doors Open: 7:00 PM
Door Price: $18.00 – $20.00
Onsale: FRI APRIL 28, 2023 – 10:00 AM

“Montana isn’t just where I live,” says Satsang’s Drew McManus. “It’s my heart, my soul. Along with my family, it’s my everything.”

It’s little wonder, then, that the state played such a pivotal role in inspiring ‘All Right Now,’ Satsang’s extraordinary new album and debut release for venerated indie label Side One Dummy. Written and recorded during an extended hiatus from the road, the record finds McManus reconnecting with his western roots and exploring a whole new palette of sounds and textures, drawing on classic country and modern Americana to forge a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs here are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal, something inherent in the human condition that binds us as brothers and sisters on a shared journey to find ourselves and our place in this world. The performances and arrangements are broad and spacious to match, reflecting the wide-open fields and soaring mountains that surrounded the band during the whirlwind recording process, and the result is a lush, organic collection fueled by acoustic guitars, fiddle, and pedal steel, a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart as it meditates on the power—and the pull—of home.

“I’ve been on the road for the last five or six years straight,” says McManus, “so being back in Montana for a whole year was a big change. Having that kind of uninterrupted time at home helped me fall back in love with songwriting in a whole new way.”

Though McManus was born in Montana, he actually spent much of his formative years in Des Moines, IA. His childhood was troubled, to say the least, marked by physical abuse at home and a nose for trouble that surrounded him. Music offered an escape, though, and McManus found solace in the punk rock and hip-hop he discovered through his love of skateboarding. Brash and aggressive, the songs were a far cry from the country tunes his mother played on endless loop around the house.

“She loved the old stuff like Buck Rogers and Hank Williams,” McManus recalls, “but she was really into that mid-to-late-nineties sound, guys like Garth Brooks and Randy Travis and Travis Tritt. I didn’t get it at the time, but she always used to tell me, ‘Someday, when you’re older, you’ll come back to this music.’”

Desperate to escape his surroundings and convinced that he’d wind up in jail like his brother if he stayed, McManus left home as a teenager and moved in with his older sister in Chicago. His first few years there played out like one long party, but as time wore on, it became apparent that the party was spiraling out of control.

“It was clear to everyone else around me that I was an alcoholic and a drug addict,” McManus explains. “Eventually, my friends just sat me down and said, ‘We think you’re going to die if you keep this up.’”

So McManus packed his bags and headed back to Montana, where his biological father worked at a rehab clinic. The road to recovery was a long and arduous one, but McManus eventually got clean and sober, fell in love, and married the woman of his dreams. For the first time in a long time, life was good, and yet it still felt like something was missing, like some fundamental building block of his personality was being neglected. It wasn’t until McManus found himself on a backpacking trek in the Himalayas that the final piece of the puzzle fell into place.

“I realized on that trip that you only get one shot at life,” says McManus, “and if you’ve got a chance to utilize your talents and follow your dreams, then you’ve got to go for it. It gave me this renewed sense of purpose, and within a week of getting back home, I started playing shows and launched the band.”

McManus filled notebook after notebook on that Himalayan journey, and the material would eventually go on to form the basis of Satsang’s breakout 2016 debut, ‘The Story of You.’ Steeped in reggae, hip-hop, and world music, the album was an uplifting affirmation that connected with fans around the world, racking up roughly 15 millions streams on Spotify alone. McManus and his bandmates returned a year later with their similarly successful sophomore effort, ‘Pyramid(s),’ which hit #1 on the Billboard Reggae Chart and #2 on iTunes, and pushed their sound even further with 2019’s ‘Kulture,’ which incorporated a wider swath of influences from Motown to Tom Petty. Relentless road warriors, the group built a devoted following one night at a time, sharing stages with the likes of Michael Franti & Spearhead and Nahko and Medicine for the People as they worked their way up from bars and clubs to massive festivals.

“Summer’s always been our busiest touring time,” says McManus, “but when COVID hit, we had no choice but to scrap everything and stay at home. I got back into fishing and rafting and hiking, and I started going back to the stuff I grew up hearing, that country music that my mom loved so much. I’d listen to it on long drives, and I started realizing that those songs are some of the most amazing things ever written.

The more time he spent at home, the more McManus’ own writing began to shift, and soon found himself penning raw, ragged tracks that walked the line between folk and country and rock ‘n’ roll. When it came time to record, McManus rented out a barn in the bucolic Paradise Valley, converting it into a studio space so that his far-flung bandmates—bassist Karl Roth, drummer Ben Teters, and guitarist Stefan Kallander—could experience life in Montana for themselves and draw from the same well of inspiration.

“I told them that I wanted the record to play like an audio map of this place that I love so much,” he explains. “I wanted to make a soundscape for Montana.”

Album opener “From And I Go” sets the scene perfectly, introducing us to Big Sky Country with a waltzing, heartfelt ode to home. McManus wrote the song in a spontaneous fit of inspiration while hiking with his family, and, like much of the record, it overflows with joy and wonder, a testament to the power of sitting still and appreciating the people and the places that make us who we are. The breezy title track, for instance, finds that family is the calm in the eye of the storm, while the bluegrass-meets-Afrobeat “Malachi” embraces the overwhelming emotional journey of parenthood, and the playful “I’m The One” celebrates McManus’ and his wife’s unlikely love story.

“When we met, my wife had three kids and was working on her doctorate after getting her masters,” McManus recalls. “I’d just gotten out of rehab and was working at a coffeeshop. It didn’t make sense to a lot of people, but there was just no stopping it.”

Riding life’s currents wherever they may lead is a frequent theme on the album. Sometimes the journey is beautiful, as on the jaunty “Love,” which bursts with gratitude; sometimes it’s painful, as on the bittersweet “Answer Was Yes,” which finds McManus grappling with the tragic passing of his sister; sometimes it’s mysterious, as on the uplifting “This Place,” which meditates on spirituality and life after death with a cameo from Trevor Hall; and sometimes it’s whatever we make of it, as on the G. Love-assisted “Back Around,” which leans into the ups and downs of life on the road. Perhaps no song, though, encapsulates McManus’ philosophy better than album closer “To Last,” which makes peace with the past in order to make the most of the future.

“When you’re dealt a tough hand, you can either get bitter or you can get better,” says McManus. “You can blame your upbringing for everything and complain about what happened to you, or you can choose to believe that everything happened for you, to step into your power and become the person you want to be.”

In Montana, that’s precisely what McManus has done, turning his dreams into reality in a place that, some days, feels more like Heaven than Earth.

“My wife, my kids, Montana, they’re all one thing to me now,” says McManus. “They’re home.”